The many talents of C H B Kitchin

Barrister turned crime writer offered readers a snapshot of 1920s life

C H B Kitchin, whose skill as a writer
was only one of many talents

Many people enjoy Golden Age crime stories because, along with a good mystery, they give the reader glimpses of what life was like in the early part of the last century.

Experts agree that one writer with a particular talent for evoking the era in which his stories were set is C H B Kitchin, a barrister who became wealthy from playing the stock market, and also tried his hand at detective fiction.

Born in October 1895, Clifford Henry Benn Kitchin was the son of a barrister who, after an Oxford education, became a barrister himself.

As well as being a gifted chess and bridge player and a pianist, Kitchin wrote poetry, general fiction and four highly-regarded crime novels featuring the stockbroker turned amateur sleuth, Malcolm Warren.

His first crime novel, Death of My Aunt, published in 1929, has been reprinted frequently and translated into several foreign languages. It was republished by Faber Finds in 2009, 80 years after its first appearance.

The novel introduces the young stockbroker, Malcolm Warren, who is summoned by telegram to visit his rich, old Aunt Catherine. She has recently shocked the family by marrying a muscular garage owner, who is many years her junior. She wants Warren to look at her investments and he is hopeful of being able to advise her on what to buy and to make a small profit for himself.

He hurries to her bedside, but before he can start discussing her investment book with her, his aunt asks him to pass her a new bottle of tonic that she wants to try. After taking a sip, she leans back and closes her eyes, but suddenly becomes violently ill and dies.

The Faber Finds edition of 
Death of My Aunt

Her fortune is divided up in her will to go to various members of her family, who would all be happy for either the young stockbroker, or the new husband, to be accused of her murder.

Therefore, Warren has to launch his own investigation in order to save himself, and his uncle by marriage, who he likes and can’t believe is guilty of the murder.

Kitchin makes his hero, Warren, a fan of detective fiction himself and he mentions that he admires the crime writers Edgar Wallace and Lynn Brock. Warren tries to emulate Lyn Brock’s methods and draws up a table of suspects and motives and allocates each of them points for being the most likely person to have committed the murder.

In a later book, Death of His Uncle, Kitchin, through his hero Warren, says: ‘A good detective story, I have found, is often a clearer mirror of ordinary life than many a novel written specially to portray it. Indeed, I think a test of its goodness is the pleasure you can derive from it even though you know who the murderer is. A historian of the future will probably turn, not to blue books or statistics, but to detective stories, if he wished to study the manners of his age.

In 2021 we can be those historians and enjoy the fascinating domestic details and descriptions of servants, houses, furniture and dinners, which Kitchin, through Warren,  reveals.

The writer H R F Keating writes in his Introduction to the 2009 edition of Death of My Aunt: ‘Kitchin’s knowledge of the crevices of human nature lifts his crime fiction out of the category of puzzledom and into the realm of the detective novel. He was, in short, ahead of his day.’

I would recommend Death of My Aunt to anyone who enjoys reading classic detective stories, as it is a well-written and interesting novel of its time, which provides a satisfying, credible solution to the mystery at the end.

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Grey Mask by Patricia Wentworth

Who came first: Miss Silver or Miss Marple?

Grey Mask, originally published in 1928,
was republished 90 years later

Patricia Wentworth’s first Miss Silver Mystery, Grey Mask, published in 1928, introduces an unassuming little old lady, who is continually knitting baby garments, but is actually a shrewd private detective with a brilliant mind.

Many people have assumed over the years that Miss Silver was inspired by Agatha Christie’s much-loved Miss Marple, but actually it could have been the other way round. The first Miss Marple novel, The Murder at the Vicarage, was not published until 1930, although the endearing character had made her first appearance in a short story published in The Royal Magazine in December 1927.

Whoever came first, the two old ladies might appear to be similar characters, but there are many differences between them. Miss Marple lives in a cottage in a sleepy village but is more worldly wise than she might appear. She has developed  a deep knowledge of human nature and can always refer to a useful village parallel when investigating a case, possessing the ability to pick out a villain because he reminds her of a young man that she once knew who stole from his employer, or a naughty boy who often played tricks on his teachers.

Miss Silver, however, is the real deal, as she walks the mean streets of London and takes on cases in a professional way, pitting her wits against major crime bosses.

In Grey Mask there is little explanation about who Miss Silver is, or why she has set herself up as a private investigator in London in the 1920s, but she appears to be well known in upper class circles and the hero of the story is sent to consult her on the recommendation of a friend.

Charles Moray, an explorer, has returned home after four years abroad, to find  his house unlocked, with a light burning in one of its abandoned rooms. He finds somewhere to hide and eavesdrops on what is going on in the room. A criminal gang are using his house to plot a vicious crime. Furthermore, he recognises the voice of one of the conspirators. It belongs to the woman who jilted him on the eve of his wedding four years earlier.

Patricia Wentworth wrote
32 Miss Silver novels

He cannot go to the police because he does not want his former fiancée to get into trouble, but he has to find a way to prevent the gang from committing the crime they are planning and somehow extricate the woman he used to love from the mess she seems to be in.

His friend urges him to consult Miss Silver and so Charles goes to her office. His first impression of the well-respected private detective is that she is ‘a little person with no features, no complexion, and a great deal of tidy mouse-coloured hair done in a large bun at the back of her head’. He finds that appearances can be deceptive, however, and that Miss Silver is not afraid to tackle a criminal gang who are prepared to resort to violence, kidnapping and shooting people.

Patricia Wentworth was the pen name of Dora Amy Elles, who was born in India, where her father was stationed with the British Army, in 1877. She was sent to England to be educated, but returned to India and married George Dillon in 1906. He had three children from a previous marriage and they had one child together. After his death she moved back to England with the children.

In 1920 she married again, to George Turnbull, and settled in Surrey. She had begun writing while in India and in 1910 had won the Melrose Prize for her first published novel, A Marriage Under the Terror, which was set during the French Revolution.

Under the pen name of Patricia Wentworth, she wrote 32 crime novels featuring Miss Silver, beginning with Grey Mask in 1928 and ending with Girl in the Cellar in 1961, the year of her death. Miss Silver develops as a character during the series and works closely with Scotland Yard. The reader will eventually discover she is a retired governess with a passion for Tennyson as well as for knitting.

Patricia Wentworth also wrote poetry and more than 30 other novels throughout her career.

I would recommend reading Grey Mask, which was republished by Hodder and Stoughton in 2018 and is available again in some public libraries. It is a well-written story told from multi viewpoints and, although it is typical of the sensational crime fiction of its time, such as Agatha Christie’s Tommy and Tuppence novels and Margery Allingham’s Mr Campion books, it has an intriguing mystery at its heart, which is not revealed until the end.

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The Baroness behind the Scarlet Pimpernel

Aristocrat also thought to have created the first female fictional detective

Baroness Orczy was from an 
aristocratic family in Hungary

British novelist and playwright Baroness Orczy, who is best known for creating the character of the Scarlet Pimpernel but also wrote several collections of detective short stories, was born on September 23, 1865 in Tarnaörs, a village in central Hungary, about 100km (62 miles) from the capital, Budapest.

Emma Magdolina Rozalia Maria Jozefa Borbala Orczy de Orci was the daughter of aristocratic parents, but when she was just three years old the family had to leave their estate because of fears of a peasant revolt. They came to live in London when Emma was 14, where she later attended art school.

There she met Henry George Montagu MacLean Barstow, the son of an English clergyman, who was an illustrator. They were married in 1894 and to supplement her husband’s low earnings, Emma started working as a translator and illustrator. After their only son was born, she wrote her first novel, which was not a success. She then wrote a series of detective stories for the Royal Magazine under the name Baroness Orczy and acquired a small following.

In 1903, she and her husband wrote a play based on one of her short stories about an English aristocrat, Sir Percy Blakeney, who in his guise as the Scarlet Pimpernel, rescues French aristocrats from the guillotine during the French Revolution. The play was accepted for production in the West End and ran for four years. It was translated and staged in other countries, generating huge success for Baroness Orczy’s subsequent novel featuring the Scarlet Pimpernel.

Baroness Orczy wrote several other plays, collections of shorts stories, and about 50 novels. Eventually she became so financially successful she and her husband were able to buy a villa in Monte Carlo.

Elvi Hale as Lady Molly in
The Woman in the Big Hat

One of her famous detective characters was Molly Robertson-Kirk, who first appeared in Lady Molly of Scotland Yard, a collection of short stories published in 1910 and probably the first book to feature a female detective as the main character. Lady Molly, like Miss Marple who was to come more than 20 years later, was a successful sleuth because she recognised domestic clues that were outside the experience of male detectives. The stories are narrated by Lady Molly’s female assistant, Mary Granard, who was perhaps the first female ‘Watson’.

I was delighted to come across a Lady Molly story from the 1910 collection recently in The Giant Book of Great Detective Stories edited by Herbert Van Thal.

In The Woman in the Big Hat, Lady Molly and her assistant, Mary, are having tea together in Lyons, when they notice a crowd of people forming outside the café on the opposite side of the road. Lady Molly is quick to join them and succeeds in gaining entrance to the café to view the cause of the commotion, which is the dead body of a customer. This is fortuitous as she soon receives a message saying Scotland Yard will require her assistance. She is told that there is a woman suspect in the case and they will ‘rely on her a great deal’.

Lady Molly of Scotland Yard
is available as a paperback

The police doctor says the man has been poisoned and Lady Molly questions one of the waitresses, who tells her the victim had been having tea with a woman in a big hat. Scotland Yard think they have discovered the identity of the woman and question her, but Lady Molly is present at the interview and passes a note to the chief officer telling him they have the wrong woman.

She neatly traps the person responsible for administering the poison in the café, with the help of two of the culprit’s own servants. Her faithful assistant, Mary, observes: ‘…my dear lady had been right from beginning to end.’ Lady Molly explains to Mary how she arrived at the truth, saying: ’Our fellows did not think of that because they are men.’

Lady Molly was the first in a long line of women in fiction who have been able to beat the police at their own job because they have noticed something very simple the male officers did not pick up on.

The Woman in the Big Hat was adapted for the anthology TV series, The Rivals of Sherlock Holmes in 1971, with Elvi Hale starring as Lady Molly.

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How it all started for the Queen of Crime

Remembering Agatha Christie’s writing roots on the anniversary of her birth

As a child, Agatha Christie
taught herself to read

Agatha Christie, who was to become the best-selling novelist of all time, was born Agatha Mary Clarissa Miller on 15 September 1890 in a district of Torquay in Devon.

Her arrival at the home of her parents, Ashfield, in Barton Road in Tor Mohun, took place 131 years ago today. Agatha became such a popular and successful novelist that even though we are now well into the 21st century, her books are still being purchased from shops and on line and are regularly borrowed from public libraries. New film and television adaptations of her wonderful stories are constantly being made and she remains the most translated individual author to this day.

Agatha was educated at home and even though her mother did not want her to learn to read until she was eight, Agatha had taught herself to read by the time she was five.

She enjoyed the children’s stories of her time by authors such as Edith Nesbit and Louisa M Alcott, but also read poetry and thrillers at a young age.

By the time she was 18 she was writing short stories herself and had learnt French from her governess, the family having spent time living in France. This was to come in useful when she invented her little Belgian detective, Hercule Poirot. She also visited Cairo for three months with her mother, an experience she was to draw on later for some of her novels.

The latest edition of 
Christie's 1920 debut novel

It was during the First World War that she turned to writing detective stories while she was working in a hospital dispensary. She responded to a bet made with her sister Madge, who challenged her to try to write a good detective story, and she worked out the plot for her debut novel, The Mysterious Affair at Styles, while working at Torbay Hospital. She had recently completed the examination of the Society of Apothecaries and was able to put her newly acquired knowledge of poisons to good use.

Agatha was unsuccessful to begin with and suffered six consecutive rejections from publishers. If she’d given up at that point the world would never have had the huge body of work that has entertained so many millions of people over the years.

The turning point came for Agatha when her novel, The Mysterious Affair at Styles, was published in 1920, when she was 30 years of age, and she never looked back. She went on to write a total of 66 detective novels and 14 short story collections. She also wrote the world’s longest running play, The Mousetrap, which was performed in London’s West End  from 1952 to 2020, when the theatre had to be closed down because of Covid 19 restrictions.

Her novel And Then There Were None is one of the top-selling books of all time, with approximately 100 million copies sold.

Agatha was co-president of the elite Detection Club  from 1958 to her death in 1976. In the 1971 New Year Honours she was made Dame Commander of the Order of the British Empire.

When her death was announced, two West End theatres, St Martin’s, where The Mousetrap was playing, and the Savoy, which was at the time staging Murder at the Vicarage, dimmed their outside lights in her honour.

Her novels have never gone out of print and are constantly being republished with new cover designs and in different formats.

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Tragedy at Law

Legal mystery written 80 years ago is still enthralling readers today

Tragedy at Law has been in
print continuously since 1942

Regarded by many as the best English detective story set in the legal world, Tragedy at Law, by Cyril Hare, has never been out of print since it was first published by Faber and Faber in 1942.

Cyril Hare was the pen name for Alfred Alexander Gordon Clark, a barrister and judge, who was born on this day in 1900 in Mickleham in Surrey. Tragedy at Law was his fourth and best-known novel, in which he was able to draw on his legal knowledge and his experiences while working as a judge’s marshal at the beginning of World War II.

It introduces Francis Pettigrew, a not very successful barrister, who manages to solve the baffling mystery because of his exceptional knowledge of the law. The character was to live on in four other novels written by Hare.

Providing readers with a fascinating glimpse into the life of a judge just before the war, Tragedy at Law follows Mr Justice Barber, a High Court judge, as he moves from town to town presiding in cases at the courts of assize on the southern England circuit.

Barber takes with him an entourage of wife, butler, cook, clerk and marshal, who reside with him at his ‘lodgings’ in each town. He receives anonymous threatening letters, unpleasant items in parcels and there are attempts made on his life as he travels from place to place, despite him being constantly guarded by the police, his wife and his marshal.

Hare took his pseudonym from the
legal chambers where he practised

The novel is beautifully written with plenty of details about the lifestyle of a judge of assize and Hare keeps the reader guessing about the solution to the mystery right to the last page.

The writer’s pseudonym was derived from a mixture of Hare Court, where he was in Chambers as a barrister in London, and Cyril Mansions, where he lived.

Hare also wrote many short stories  for the London Evening Standard and some radio and stage plays and he was a keen member of the Detection Club.

After the war the novelist was appointed a county court judge in Surrey. He died in 1958, when he was at the peak of his career as a judge and at the height of his powers as a master of the whodunnit.

In 1990, when the British Crime Writers’ Association published their list of The Top 100 Crime Novels of All Time, they awarded the 85th place to Cyril Hare's Tragedy at Law.

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The Mystery of a Butcher’s Shop

Second Mrs Bradley mystery is full of the unexpected

The Mystery of a Butcher's
Shop is published by Vintage

Mrs Beatrice Adela Lestrange Bradley seems even more eccentric in the second novel by Gladys Mitchell to feature the psycho-analyst detective heroine, with her gaudy clothes, birdlike appearance and sinister cackle.

Mrs Bradley has arrived in the village of Wandles Parva as the tenant of the Stone House at a time when the local squire has just gone missing and a dismembered human body has turned up at a nearby butcher’s shop, the joints left neatly hanging on meat hooks.

She quickly becomes involved in the investigation, irritating the police, employing the young people in the village to help her with detecting, and getting so close to the truth at one point that she narrowly avoids being shot in the head with an arrow fired by a figure clad in full Robin Hood costume.

While the young people think she is entertaining and a good sport, the adults in the village find her unsettling, with her yellow skin, claw-like hands and terrifying grin.

Mrs Bradley is presented with some bizarre clues, such as a human skull discovered by the local Bishop, which then goes missing before turning up as an exhibit in the local museum. There is also a freshly dug grave containing only a suitcase holding a stuffed trout with a note saying: ’A present from Grimsby.’

The police fix on Jim Redsey, a young man who will inherit his missing cousin’s estate, as their main suspect, but Mrs Bradley thinks the psychology is all wrong and that Jim is not creative enough to think of dismembering a body in a butcher’s shop or playing hide-the-thimble with a skull.

Diana Rigg played the eccentric
detective in a BBC TV series

The Mystery of a Butcher’s Shop is both entertaining and complex with a very tangled plot that Gladys Mitchell and Mrs Bradley both try to help the reader to solve. There are hand-drawn maps and the reader is treated to extracts from Mrs Bradley’s notebook as well as a timetable of events she has drawn up.

While the police remain baffled, Mrs Bradley assembles the interested parties and builds up a case against each suspect in turn and then subsequently tears it down, giving the reader all the facts to help them solve the mystery.

Gladys Mitchell, however, keeps the reader guessing right to the very last paragraph on the very last page.

The author had a long career as a teacher alongside her writing. She also studied the works of Sigmund Freud and developed an interest in witchcraft. She wrote 66 crime novels and was an early member of the Detection Club with other Golden Age detective novelists, but her writing style, characters and plots make her novels unlike anything produced by her contemporaries.

The Mystery of a Butcher’s Shop was first published in Great Britain in 1930 by Gollanz and was republished in 2010 and 2017 by Vintage Books.

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Catholic priest was a master of the final twist

Remembering the novels of Monsignor Ronald Knox on the anniversary of his death 

Ronald Knox wrote books on many 
subjects as well as his detective novels

The brilliant Ronald Knox, who was a Catholic priest, theologian and broadcaster, is mainly remembered for being one of the founding members of the Detection Club, an elite society formed in 1930 by a group of British mystery writers. It was Knox who first laid down rules of fair play for detective novelists by producing The Ten Commandments of Detective Fiction.

The members of the Detection Club all agreed at the time to adhere to Knox’s Ten Commandments to give their readers a fair chance of guessing who is the guilty party.

During his career he produced the Knox Bible, a new English translation of the Latin Vulgate Bible, and many books on religion, philosophy and literature. Knox became a Roman Catholic chaplain at Oxford University in 1926 and was elevated to the title of Monsignor in 1936.

I was thrilled recently to discover a rare short story by Knox, The Motive, in a book of short stories edited by Martin Edwards for the British Library Crime Classics series. Some of these stories have never been republished since their first appearance in newspapers and magazines decades ago. I felt it was an opportune moment to write about The Motive as today is the 64th anniversary of Ronald Knox’s death.

In his introduction to the story, Edwards reveals that Knox had a passion for Sherlock Holmes stories and that this was what led him to try his hand at writing detective fiction. His first detective novel, The Viaduct Murder, appeared in 1925.

In The Christmas Card Crime, the third anthology of short stories for the British Library, Edwards introduces The Motive, which first appeared in The Illustrated London News in November 1937. Edwards writes: ‘Knox only wrote a handful of short crime stories but their quality makes this a matter for regret.’

The Christmas Card Crime is a 
collection of short crime stories

Because writers cannot afford to waste a single word when writing a short story, Knox goes straight into a conversation between a number of dons and their guests in the smoking room of a college after dinner. Sir Leonard Huntercombe, a barrister, is about to come under attack from another guest, Penkridge, a dramatic critic, when Sir Leonard’s host intervenes, arguing that Sir Leonard’s point of view could be justified if you believed that Law should be regarded as one of the sciences.

Sir Leonard counters by saying that if you are to succeed in the legal profession you have to be imaginative, rather than scientific, and offers to tell the group the story of one of his former clients, who was suspected of two murders, to illustrate this point. The dons all urge him to tell his story to prevent Penkridge becoming ‘unmannerly’.

The client is called Westmacott, which Edwards says Knox would have chosen for a joke because it was a pen name used by his Detection Club colleague Agatha Christie for her romance novels.

In just 16 pages, Knox manages to tell Westmacott’s unusual story, finishing with what Edwards describes as ‘a cheeky, if not shameless, final twist’ in the last paragraph. I found the story well worth reading and would definitely recommend it.

Knox first summarised his ‘fair play’ rules in the preface to Best Detective Stories 1928-29, which he edited. For budding detective novelists who would like to follow his Ten Commandments, or Decalogue, I reproduce them here:

1. The criminal must be mentioned in the early part of the story, but must not be anyone whose thoughts the reader has been allowed to know.

Knox wrote his 'ten commandments' as
a guide to fair play for detective writers

2. All supernatural or preternatural agencies are ruled out as a matter of course.

3. Not more than one secret room or passage is allowable.

4. No hitherto undiscovered poisons may be used, nor any appliance which will need a long scientific explanation at the end.

5. No Chinaman must figure in the story.

6. No accident must ever help the detective, nor must he have an unaccountable intuition which proves to be right.

7. The detective himself must not commit the crime.

8. The detective is bound to declare any clues which he may discover.

9. The sidekick of the detective, the ‘Watson’, must not conceal from the reader any thoughts which pass through his mind, his intelligence must be slightly, but very slightly, below that of the average reader.

10. Twin brothers, and doubles generally, must not appear unless we have been duly prepared for them.

(As a matter of clarification, in the light of modern-day sensitivities, the reasoning behind rule number five is that magazine stories in the 1920s so often portrayed criminal masterminds as being of Chinese ethnicity that it had become something of a cliché, one that Knox believed was best avoided.)

According to Knox, a detective story ‘must have as its main interest the unravelling of a mystery, a mystery whose elements are clearly presented to the reader at an early stage in the proceedings, and whose nature is such as to arouse curiosity, a curiosity, which is gratified at the end.’

Knox himself wrote six detective novels: The Viaduct Murder (1926), The Three Taps (1927), The Footsteps at the Lock (1928), The Body in the Silo (1933), Still Dead (1934), Double Cross Purposes (1937).

He also contributed to three collaboration works by the Detection Club: Behind the Screen (1930), The Floating Admiral (1931) and Six Against the Yard (1936).

Paperback editions of all six of his detective novels were republished by the former Orion imprint The Murder Room in 2013.

The Christmas Card Crime and other stories, edited by Martin Edwards, was published by British Library Crime Classics in 2018.

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