Showing posts with label The Detection Club. Show all posts
Showing posts with label The Detection Club. Show all posts

20221016

Vintage Murder by Ngaio Marsh

Novelist draws on her love for New Zealand and the theatre

Vintage Murder begins as Roderick Alleyn makes a train journey across New Zealand
Vintage Murder begins as Roderick Alleyn
makes a train journey across New Zealand 
Ngaio Marsh transports her upper class, English sleuth, Roderick Alleyn, to her native New Zealand in Vintage Murder, her fifth novel to feature the Scotland Yard detective.

Alleyn is on holiday while recovering from an operation and the story begins as he makes a long journey by train across New Zealand. On the train, he encounters a travelling theatrical troupe and among them is Susan Max, a character actress he had met in Enter a Murderer, Ngaio’s second novel. The detective had encountered the actress while he was investigating a murder that occurred on stage during the performance of a play at a West End theatre.

He gets talking to different members of the troupe, which is run by Incorporated Playhouses, and it is not far into the story when Alfred Meyer, the owner of Incorporated Playhouses, who is married to the leading lady, Carolyn Dacres, reveals to Alleyn that someone has tried to push him off the train.

After the train has arrived at its destination, Carolyn invites Alleyn to see the first night of the play and to her birthday celebrations with the rest of the company on the stage afterwards. At the party, as a surprise for his wife, Meyer has arranged for a jeroboam of champagne to descend gently on to the dinner table from above, but something goes horribly wrong and the theatrical manager is killed.

The latest HarperCollins edition of Ngaio Marsh's Vintage Murder
The latest HarperCollins edition
of Ngaio Marsh's Vintage Murder
It soon becomes obvious that the mechanism set up for the stunt has been tampered with and Alleyn is invited by the local police to sit in on their investigation. He sets aside his holiday plans to try to help them catch the murderer.

Vintage Murder, which was published in 1937, enables Ngaio Marsh to describe the scenery of her homeland as seen through Alleyn’s eyes. He meets a Māori doctor, Rangi Te Pokiha, and buys a Māori fertility pendant, a ‘tiki’, which plays an important part in the plot.

Vintage Murder was one of four Alleyn novels adapted for New Zealand television in 1977, when the role of Alleyn was played by the actor George Baker.

Ngaio’s inspiration for the travelling theatrical troupe was the Alan Wilkie Company, which she was once a part of, so it is not surprising that the characters and their behaviour come across as so real in the story.

The story does consist of a long series of interviews conducted by Alleyn along with the New Zealand police officers, which many on line reviewers have complained about, but I still think it is a well written novel that presents a good mystery for the armchair detective to try to solve, and I would recommend it.

Vintage Murder is available from or

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20210823

Catholic priest was a master of the final twist

Remembering the novels of Monsignor Ronald Knox on the anniversary of his death 

Ronald Knox wrote books on many  subjects as well as his detective novels
Ronald Knox wrote books on many 
subjects as well as his detective novels
The brilliant Ronald Knox, who was a Catholic priest, theologian and broadcaster, is mainly remembered for being one of the founding members of the Detection Club, an elite society formed in 1930 by a group of British mystery writers. It was Knox who first laid down rules of fair play for detective novelists by producing The Ten Commandments of Detective Fiction.

The members of the Detection Club all agreed at the time to adhere to Knox’s Ten Commandments to give their readers a fair chance of guessing who is the guilty party.

During his career he produced the Knox Bible, a new English translation of the Latin Vulgate Bible, and many books on religion, philosophy and literature. Knox became a Roman Catholic chaplain at Oxford University in 1926 and was elevated to the title of Monsignor in 1936.

I was thrilled recently to discover a rare short story by Knox, The Motive, in a book of short stories edited by Martin Edwards for the British Library Crime Classics series. Some of these stories have never been republished since their first appearance in newspapers and magazines decades ago. I felt it was an opportune moment to write about The Motive as today is the 64th anniversary of Ronald Knox’s death.

In his introduction to the story, Edwards reveals that Knox had a passion for Sherlock Holmes stories and that this was what led him to try his hand at writing detective fiction. His first detective novel, The Viaduct Murder, appeared in 1925.

In The Christmas Card Crime, the third anthology of short stories for the British Library, Edwards introduces The Motive, which first appeared in The Illustrated London News in November 1937. Edwards writes: ‘Knox only wrote a handful of short crime stories but their quality makes this a matter for regret.’

The Christmas Card Crime is a  collection of short crime stories
The Christmas Card Crime is a 
collection of short crime stories
Because writers cannot afford to waste a single word when writing a short story, Knox goes straight into a conversation between a number of dons and their guests in the smoking room of a college after dinner. Sir Leonard Huntercombe, a barrister, is about to come under attack from another guest, Penkridge, a dramatic critic, when Sir Leonard’s host intervenes, arguing that Sir Leonard’s point of view could be justified if you believed that Law should be regarded as one of the sciences.

Sir Leonard counters by saying that if you are to succeed in the legal profession you have to be imaginative, rather than scientific, and offers to tell the group the story of one of his former clients, who was suspected of two murders, to illustrate this point. The dons all urge him to tell his story to prevent Penkridge becoming ‘unmannerly’.

The client is called Westmacott, which Edwards says Knox would have chosen for a joke because it was a pen name used by his Detection Club colleague Agatha Christie for her romance novels.

In just 16 pages, Knox manages to tell Westmacott’s unusual story, finishing with what Edwards describes as ‘a cheeky, if not shameless, final twist’ in the last paragraph. I found the story well worth reading and would definitely recommend it.

Knox first summarised his ‘fair play’ rules in the preface to Best Detective Stories 1928-29, which he edited. For budding detective novelists who would like to follow his Ten Commandments, or Decalogue, I reproduce them here:

1. The criminal must be mentioned in the early part of the story, but must not be anyone whose thoughts the reader has been allowed to know.

Knox wrote his 'ten commandments' as a guide to fair play for detective writers
Knox wrote his 'ten commandments' as
a guide to fair play for detective writers
2. All supernatural or preternatural agencies are ruled out as a matter of course.

3. Not more than one secret room or passage is allowable.

4. No hitherto undiscovered poisons may be used, nor any appliance which will need a long scientific explanation at the end.

5. No Chinaman must figure in the story.

6. No accident must ever help the detective, nor must he have an unaccountable intuition which proves to be right.

7. The detective himself must not commit the crime.

8. The detective is bound to declare any clues which he may discover.

9. The sidekick of the detective, the ‘Watson’, must not conceal from the reader any thoughts which pass through his mind, his intelligence must be slightly, but very slightly, below that of the average reader.

10. Twin brothers, and doubles generally, must not appear unless we have been duly prepared for them.

(As a matter of clarification, in the light of modern-day sensitivities, the reasoning behind rule number five is that magazine stories in the 1920s so often portrayed criminal masterminds as being of Chinese ethnicity that it had become something of a cliché, one that Knox believed was best avoided.)

According to Knox, a detective story ‘must have as its main interest the unravelling of a mystery, a mystery whose elements are clearly presented to the reader at an early stage in the proceedings, and whose nature is such as to arouse curiosity, a curiosity, which is gratified at the end.’

Knox himself wrote six detective novels: The Viaduct Murder (1926), The Three Taps (1927), The Footsteps at the Lock (1928), The Body in the Silo (1933), Still Dead (1934), Double Cross Purposes (1937).

He also contributed to three collaboration works by the Detection Club: Behind the Screen (1930), The Floating Admiral (1931) and Six Against the Yard (1936).

Paperback editions of all six of his detective novels were republished by the former Orion imprint The Murder Room in 2013.

The Christmas Card Crime and other stories, edited by Martin Edwards, was published by British Library Crime Classics in 2018.

It is available from or

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