Overture to Death by Ngaio Marsh

The story of a theatrical entertainment that starts with a bang

Ngaio Marsh was one of the four 'Queens
of Crime' in detective fiction's Golden Age

Two ageing spinsters, who are both vying for the attentions of the rector of their church, are united in just one thing: their hatred for Selia Ross, an attractive newcomer to the village who they think is having an affair with the local doctor.

In Overture to Death, when the main characters get together at a meeting at the village Squire’s house to plan an amateur theatre production to raise money for a new church piano, it becomes obvious to the reader that the story can end in only one way…

In this eighth Chief Inspector Alleyn novel, Ngaio Marsh draws on her own theatrical background when she describes the preparations the organisers make for the performance of a play in the Parish Hall in the vale of Pen Cuckoo in Dorset.

She sets the stage cleverly, giving examples of the extent of the rivalry between the two old women in the past and how far they are prepared to go to get the rector’s attention.

Her characterisation of the spinsters is excellent as she reveals how both women disapprove of the blossoming relationship between the Squire’s son, Henry, and the rector’s daughter, Dinah, who is a young professional actress.

The artist, Agatha Troy, does not appear in this novel, published in 1939, but she is always present in the background.  

After the explosive murder scene, Detective Chief Inspector Alleyn and Detective Inspector Fox are sent by Scotland Yard to investigate.

Ngaio includes a letter Alleyn writes to Troy, while he is away from London working on the case, in which he reveals that they are engaged and speculates on what their marriage will be like.

The HarperCollins 2001 edition
of the 8th Inspector Alleyn mystery

Alleyn’s original Watson, the journalist Nigel Bathgate, is sent to Dorset to cover the murder story and he assists Alleyn in the investigation.

Ngaio Marsh, who died on 18 February 1982 in her native New Zealand, contributed to both art and the theatre during her life. She was also judged to be one of the four Queens of Crime during the Golden Age of detective fiction.

Her 32nd and final crime novel, Light Thickens, was completed only a few weeks before her death. The story revolves around one of her greatest theatrical passions, Shakespeare’s play, Macbeth.

Ngaio began writing detective novels in 1931 after moving to London to start up an interior decorating business. The idea for her first crime novel, A Man Lay Dead, came to her when she was living in a basement flat off Sloane Square.

In the preface to an omnibus edition of her first three novels - A Man Lay Dead, Enter a Murderer and The Nursing Home Murder - Ngaio describes how she came up with the character of Detective Inspector Roderick Alleyn.

It was a wet Saturday afternoon and she had been reading a detective story borrowed from a library, although she says she couldn’t remember whether it was ‘a Christie or a Sayers.’ After she finished it, she wondered whether she could write something similar and braved the rain to go to a stationer’s shop to buy exercise books, a pencil, and a pencil sharpener.

She sat down to write what was to be the first of a series of crime novels featuring the gentleman detective Roderick Alleyn. Her fictional detective works for the Metropolitan Police in London even though he is the younger brother of a baronet. She named him after an Elizabethan actor, Edward Alleyn.

Several of her novels are set in the world of the theatre, which she knew well because she was a times an actress, director, and playwright. Along with Margery Allingham, Agatha Christie, and Dorothy L Sayers, Ngaio Marsh was to dominate the genre of crime fiction for the next 50 years.

I would recommend Overture to Death as a good example of a classic Golden Age mystery set in a respectable English village. It stands out because of its clever plot, which involves a highly ingenious and shocking murder method.

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Have His Carcase by Dorothy L Sayers

Background romance adds extra interest to investigation

The 2016 Hodder edition of the
novel, first published in 1932

Lord Peter Wimsey’s character comes to life in Have His Carcase, the seventh novel by Dorothy L Sayers to feature her gentleman sleuth.

Instead of appearing as just an amiable aristocrat indulging himself with his detecting hobby, tolerated by Scotland Yard because of his status in society, he shows himself to be energetic and determined during this novel, which was first published in 1932, because he is trying to help the woman he loves.

Mystery novelist Harriet Vane is on a solitary walking tour along the south west coast of England when she discovers a dead body on the beach.

She has stopped for refreshment and a brief doze in the afternoon sun. But instead of just enjoying a peaceful picnic and then resuming her journey, she wakes up to find a corpse nearby. A man, who has had his throat slashed from ear to ear, lies spreadeagled on the rocks below her.

Harriet tries to gather evidence at the scene before the incoming tide sweeps the body out to sea. Then she finds she has to walk several miles before she can find a telephone to report her discovery to the police.

As a woman who has recently been acquitted of murder, a case featured in Strong Poison, a previous Wimsey novel, Harriet finds it unpleasant to come under suspicion and be the subject of police scrutiny again.

Ian Carmichael as Wimsey
in a 1970s TV adaptation

But she does not have to wait long before Wimsey joins her at the seaside and involves himself in the investigation, having been tipped off by a journalist about Harriet’s predicament.

The amateur detective duo discover that it is a complicated case to solve and it involves them, and Bunter, Wimsey’s manservant, in painstaking work to try to break the alibis of their main suspects.

They also have to crack a secret code used by the murderer to communicate with his victim beforehand. This was the only part of the novel that I found less than riveting, as the codebreaking lasted for several pages that weren’t very interesting to read.

However, Wimsey’s character acquires more depth in this novel, and the ‘will they, won’t they?’ sub plot of their romance also adds interest to the story.

The couple part as friends at the end of the book, but Harriet has still not accepted Wimsey’s proposal of marriage, providing a major incentive for fans to keep reading!

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Death on the Cherwell by Mavis Doriel Hay

No Oxford degree for author but she found a good setting for a crime novel

The murder at the heart of this mystery occurs on the
River Cherwell, still popular with students today

Death on the Cherwell, a classic Golden Age detective story by Mavis Doriel Hay published in 1935, is set in a fictitious women’s college in Oxford. The novel appeared during the same year as Gaudy Night by Dorothy L Sayers, which was also set in a women’s college in Oxford. Both settings were loosely based on the colleges the authors had attended themselves.

Mavis writes at the beginning of the first chapter: ‘Undergraduates, especially those in their first year, are not, of course, quite sane or quite adult.’ The students featured in this novel come across as very young indeed, more like the girls in boarding school stories than intelligent students. Nevertheless, they make good amateur sleuths, who are as entertaining as they are industrious.

A group of first year girls, who have formed a secret society that meets on the roof of the Persephone College boathouse, come across the dead body of the college bursar lying in her canoe. She is later discovered to have drowned in the river but it is a mystery how her body ended up back in her own boat.

The police are called in but to begin with they assume it is a student prank that has got out of hand. However, the group of young ladies who found the body immediately suspect foul play and take the investigation into their own hands. 

Led by Sally Watson, whose older sister, Beryl, appeared in Murder Underground, the first crime novel by Mavis Doriel Hay, the undergraduates uncover the tangled secrets that led to the bursar’s death and follow up clues that point in the direction of a fellow student.

The British Library Crime Classics
edition of Death on the Cherwell

Mavis Doriel Hay, who was born on either 12 or 13 February 1894, 130 years ago, in Potters Bar in Middlesex, attended St Hilda’s College in Oxford between 1913 and 1916. She published three mystery novels within just three years in the 1930s, Murder Underground, Death on the Cherwell, and the Santa Klaus Murder. 

After Murder Underground was published, Dorothy L Sayers wrote a review in the Sunday Times saying: ‘This detective novel is much more than interesting. The numerous characters are well differentiated, and include one of the most feckless, exasperating, and lifelike literary men that ever confused a trail.’

That exasperating literary man, Basil Pongleton makes an appearance in the author’s second novel, Death on the Cherwell, when he and his wife, Beryl, are visiting Beryl’s sister, Sally, in Oxford. But Sally doesn’t need any help from him to uncover the truth about the bursar’s death and her sleuthing efforts even earn her the respect of the investigating officer in the case, Detective Inspector Braydon.

Like Dorothy L Sayers, Mavis attended Oxford when women were allowed into the university to study, but were not allowed to graduate, and so she left the university empty handed. But because she was interested in the industries and handicrafts of rural Britain, she was later sponsored by the Agricultural Economics Research Institute of Oxford University to collaborate with another writer, Helen Fitzrandolph, on a series of works surveying rural industries

She went on to marry Helen Fitzrandolph’s brother, Archibald Menzies Fitzrandolph, in 1929. Sadly, he was killed in a flying accident during World War II. 

Mavis, who was also interested in quilting, went on to publish several books on crafts during her life. She died in 1979 at the age of 85.

Nearly 90 years after it was first published, Death on the Cherwell was republished by British Library Crime Classics. In his introduction to the novel in 2014, crime writer Stephen Booth regrets that Mavis Doriel Hay had such a short literary career and published just three detective novels. He says it is ‘even sadder’ that she was almost forgotten by crime fiction readers for so many years after her death and he was delighted that the British Library editions of her books were finally remedying that oversight.

I am sure lovers of classic crime novels will be glad to have the opportunity to get to know this author and will be fascinated by her portrayal of life inside a women’s college in Oxford, in the days when female students weren’t even considered worthy of being awarded degrees by the university they attended. 

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(River Cherwell pic by Steve Daniels via Wikimedia Commons)

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The Mystery of the Blue Train by Agatha Christie

Writer’s eighth novel is far from ‘disappointing’

The cover of the 2015 edition
published by HarperCollins

Six years before Agatha Christie’s famous novel, Murder on the Orient Express, was published, the Queen of Crime wrote another Hercule Poirot mystery where a murder is committed on a train.

Unfortunately for the killer, Hercule Poirot happens to be on the train at the time, travelling from England to the French Riviera on the famous ‘train bleu.’

The Mystery of the Blue Train, which was published in 1928, is reputed to have been Christie’s least favourite story. Nevertheless, the book received a positive reaction from the Times Literary Supplement at the time, who stated that ‘the reader would ‘not be disappointed.’  The distinguished Belgian detective uses psychological reasoning to dispute the guilt of the original suspect arrested by the police and, in the words of the review, ‘lands his fish to the surprise of everyone.’

The murder victim is Ruth Kettering, an unhappily married American heiress, who is travelling to France to meet her lover. On the train, she meets Katherine Grey, who for the last ten years has been a companion to an old lady living in the village of St Mary Mead. The old lady had just died and left her a substantial inheritance and Katherine is enjoying her first chance to travel abroad.

The two women have a conversation over lunch and Ruth invites Katherine back to her compartment, where she confides in her that she has misgivings about what she is about to do and doesn’t feel happy about having deceived her own father about her trip.

Christie's detective Hercule Poirot, as
famously portrayed by David Suchet

Katherine does not see Ruth again and that evening finds herself seated opposite Hercule Poirot for dinner. The next morning, Katherine discovers that Ruth has been found dead in her compartment, having been strangled during the night.

It transpires that a famous ruby, ‘Heart of Fire,’ that has recently been given to Ruth by her wealthy father, is now missing. Later, Poirot is persuaded by Ruth’s father to take on the case and find his daughter’s murderer for him. The little Belgian detective doubts that the French police have arrested the right person and, helped by Katherine, uncovers the truth.

The Mystery of the Blue Train was priced at seven shillings and sixpence when it first went on sale in the UK.

The novel contained the first ever mention of the fictional village of St Mary Mead, which was to be the home of another of Agatha Christie’s detective, Miss Marple.

Agatha Christie is reputed to have found writing the book an ordeal, as the story did not come easily to her. At that time, she was staying in the Canary Islands while recovering from the death of her mother, her husband’s infidelity, and her own mental breakdown. In her autobiography, she stated that she had always hated the novel.

I particularly enjoyed the parts of the story set in the south of France and found the plot to be ingenious. If, like me, you are a Christie fan, you will find it well worth reading.

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The Clock Strikes 12 by Patricia Wentworth

Victim sets a New Year deadline for his own murder

The Clock Strikes Twelve is the
seventh Miss Silver mystery

James Paradine, a wealthy businessman, announces at a family dinner on New Year’s Eve that valuable blueprints have been stolen from his study and he will give the culprit until midnight to come to him and confess.

It will come as no surprise to seasoned readers of the classic crime novel that early the next morning Paradine is found dead in the grounds of his home.

In The Clock Strikes 12, the seventh mystery by Patricia Wentworth to feature her prim governess-turned-private detective, Miss Silver, there are plenty of suspects for the reader to consider. The late James Paradine had a grown-up family, some of who are married, and many of them are actively involved in his business.

The characters and different situations of the family and staff living in the house are well described by the author, making them seem real to the reader, something that was unusual for a Golden Age classic crime novel.

There is also a strong subplot about the thwarted relationship between Phyllida, the beautiful adopted daughter of Paradine’s sister, and Elliot, a talented young designer working for Paradine who is crucial to the success of the family firm. The couple were married briefly, but have been apart for nearly a year for reasons that are slowly and cleverly revealed by the author.

Miss Silver is called in by a member of the family to try to help solve the murder and she is allowed by the police to work alongside their investigating officers. She has to unravel an elaborate tangle of alibis, motives, and clues to get to the truth.

Patricia Wentworth was
fond of quoting poetry

Placidly sitting knitting in the background, Miss Silver emerges as a more distinct personality in this novel, which was first published in 1945, than she perhaps did in the earlier stories about her investigations.

The novelist Patricia Wentworth, who was born in 1877 in British India, wrote 32 novels in the classic whodunnit style featuring her character Maud Silver, a retired governess and teacher who has set up as a professional private investigator in London.

Fond of quoting from the poetry of Lord Tennyson, Miss Silver often works closely with Scotland Yard. She sees and hears everything and has a brilliant mind. From her observations, she cleverly works out what has happened in each of her cases and is able to explain how to expose the murderer.

IThe Clock Strikes 12 is a clever, well plotted mystery, perfect for reading in the days after Christmas while relaxing in front of the fire.

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Death Comes at Christmas by Gladys Mitchell

A murky tale of murder among the Morris men and pig farmers

The Vintage edition of 
Death Comes at Christmas

We get a glimpse of Mrs Bradley’s gentler side when she goes to spend Christmas with her nephew, Carey, who is a pig farmer, in this sixth novel about the eccentric psychoanalyst and sleuth.

Taking with her a boar’s head as a present for her host, she settles down to enjoy the festive season in Oxfordshire in the company of Carey, who seems genuinely fond of his distinguished aunt, her grand-nephew, Denis, and Carey’s friend, Hugh.

Cackling, and wearing some of her luridly-coloured cardigans, Mrs Bradley dines on, not surprisingly, lots of pork, and she entertains her fellow guests with anecdotes about murderers and unusual psychological cases she has encountered.

But then one of Carey’s neighbours, a local solicitor, is found dead near the river on Christmas Day and although he is thought to have suffered a heart attack, Mrs Bradley is not convinced that his death was the result of natural causes.

Later, a neighbouring pig farmer is also found dead, seemingly having been killed by one of his owns boars. Suspecting murder again, Mrs Bradley fearlessly tries to uncover the truth about the death, despite facing physical threats herself.

Although the first death occurs at Christmas, it takes the lady detective until Easter to unravel the complex case, but I would still recommend this novel as a good read for the festive season.

Death Comes at Christmas is enlivened by descriptions of some of the local characters. Carey’s housekeeper, Mrs Ditch, who he summons to his presence by yodeling, her Morris Dancing husband and son, and her daughter, Linda, who is frequently criticised by local people for ‘trollopsen’ about the area, all add to the bizarre humour.

Mrs Bradley and Denis discover that Carey’s house has secret passages and a ghost, and the reader gets the chance to learn a lot about Morris dancing, pig farming and heraldry during the novel, which was originally published under the title Dead Men’s Morris in 1936.

Gladys Mitchell wrote
66 Mrs Bradley novels

Gladys Mitchell wrote 66 novels featuring her amateur sleuth, Mrs Beatrice Adela Lestrange Bradley, as well as some mystery novels under the name, Malcolm Torrie, and historical adventure novels under the name, Stephen Hockaby.

A teacher by profession, Gladys wrote at least one novel a year throughout her career and over the years she built a large and loyal following for her eccentric, but brilliant, detective, Mrs Bradley.

Gladys was an early member of the Detection Club along with Agatha Christie, G K Chesterton, and Dorothy L Sayers, but she frequently enjoyed satirising or reversing the traditional patterns of the genre.

She was interested in architecture, ancient buildings, folklore and British customs, subjects that were often explored in her novels and short stories. She also studied the works of Sigmund Freud and developed an interest in witchcraft.

In 1961, Gladys retired from teaching but she continued to write detective novels and received the Crime Writers’ Association Silver Dagger in 1976. The last Mrs Bradley mystery was published in 1984, the year after her death.

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Flowers for the Judge by Margery Allingham

Mystery novel tells readers more about Albert Campion

The Vintage edition of 
Flowers for the Judge

Campion is pushed to his limits when he tries to solve the puzzling disappearance of a director of a London publishing house, in Flowers for the Judge, the seventh novel by Margery Allingham to feature her adventurous series detective.

The mysterious Campion is called in to help when an old friend, Paul Brande, a nephew of the founder of the Barnabus publishing company, is reported as missing by his wife, Gina. Paul has been absent from home for three days, but as he and his wife led almost separate lives, no one has found it at all remarkable up till then.

Campion is introduced to the other members of the family involved in the publishing firm at a Sunday afternoon tea party at Gina’s flat. During the tea party, another cousin, Mike, goes to the office to fetch a file for the firm’s managing director from the strong room.

The next day, Paul Brande’s body is discovered lying in full view in the strong room by staff at the Barnabus publishing company. The police decide Mike must have seen the body when he went there on the Sunday afternoon but chose to say nothing about it. They also discover from other people that he was secretly in love with Gina, who is an attractive young American woman. They arrest him and accuse him of murdering Paul.

A large part of the book shows the police establishing a case against Mike and putting him on trial for murder, almost making it a legal mystery.

In this 1936 novel, Margery describes the nosegay traditionally carried into court by the judge. It is made up of fresh, scented flowers for the judge to sniff to mitigate the unpleasant smells and unhygienic air of the courtroom. It is the nosegay that gives the book its title.

Peter Davison as the bespectacled Campion
in the BBC adaptation of Flowers for the Judge 

Campion is made aware of the disappearance of a previous director of the firm, 20 years before, who seemed to vanish into thin air while walking along a street in London.

He is also told about the manuscript of a previously unpublished play written by Restoration dramatist William Congreve, which is owned by the firm. This was kept in the safe in the strong room and was about to be put on display at an event by Paul Brande.

As the trial gets under way, Campion, and his manservant, reformed criminal Magersfontein Lugg, have to work day and night to solve the murder before Mike is sentenced and hanged. At one point, Campion’s own life is threatened and he finds he must draw on all his resources and Lugg’s underworld contacts to help him solve the case.

Many readers have said they liked seeing the development of Albert Campion’s character by Margery Allingham during this story, who the reader has previously been told little about by the author. I found it to be a pacy whodunit that I enjoyed reading.

Flowers for the Judge was adapted for the BBC with Peter Davison as Campion and Brian Glover as Lugg and it was shown on television in two, hour-long episodes in 1990. 

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Thirteen Guests by J Jefferson Farjeon

An intriguing mystery told with humour and well-drawn characters

The British Library edition of
Farjeon's Thirteen Guests 

Thirteen Guests is a traditional country house mystery, the type of story popular during the Golden Age of detective fiction in the 1920s and 1930s.

The Queens of Crime, Agatha Christie, Dorothy L Sayers, Ngaio Marsh, and Margery Allingham, are still famous for their Golden Age novels and their books remain in print. However, many other good writers of the detective novel from this period have now been forgotten.

One crime writer the novelist Dorothy L Sayers particularly admired from the Golden Age was J Jefferson Farjeon, who she praised for his ‘creepy skill.’

She may have read Thirteen Guests, when it was first published in 1936, but few copies of the original book had remained in existence for the modern reader to enjoy until 2015, when, happily, the novel was rescued and republished by the British Library.

The story begins at a railway station where a young man, John Foss, falls from a train when leaving it and injures his foot.

He is recued by an attractive widow, Nadine Leveridge, who is on her way to a country house party. She takes the young man with her in the car that has been sent to pick her up by her host, Lord Aveling, to try to get medical help for him.

When they arrive at her destination, Bragley Court, the hospitable Lord Aveling welcomes Foss and offers him the chance to stay for the weekend while he recovers.

Lord Aveling is hosting a weekend house party for 12 people and therefore Foss is his 13th guest.

But because they arrive before two of the other guests, Mr and Mrs Chater, it is Mr Chater who is the last to enter the house and who becomes, technically, the 13th guest.

J Jefferson Farjeon worked for the Amalgamated
Press before becoming a freelance writer

Foss is not superstitious and he has been reassured by a fellow guest that the bad luck will come to the 13th guest who enters the house.

During the weekend a serious of bizarre things happen. A painting is damaged, a dog is killed, a stranger’s body is found in a quarry on Lord Aveling’s land and then one of the guests is found dead.

Foss observes all the comings and goings during the weekend and overhears snatches of people’s conversations as he lies, sometimes forgotten, recuperating on a settee in a side room. He is visited from time to time by Nadine and together they try to work out what is going on in the house, as the relationship between them blossoms.

Farjeon does not write cardboard characters and therefore the guests, who are also the suspects, are all interesting and depicted well. In one scene, an artist, and a journalist, who are sharing a bedroom, give as good as they get in an entertaining conversation with the investigating detective, Inspector Kendall, who is by no means cast as a plodding policeman.

We learn that the Detective Inspector moves from place to place when a district needs ‘gingering up.’ When he is introduced, he is having some amusing exchanges with his new subordinates as they make their way to Bragley Court to investigate.

The weekend guests include an MP, an actress, a cricketer, and a writer of mystery novels. They all have their own secrets and peculiarities, which Detective Inspector Kendall uncovers as he tries to get to the truth about what has happened.

Farjeon was a crime and mystery novelist, playwright, and screen writer. Born in 1883, he worked for ten years for Amalgamated Press in London before going freelance. He went on to become the author of more than 60 crime and mystery novels, short story collections and plays.

He  was named after his maternal grandfather, Joseph Jefferson, who was an American actor. His father, Benjamin Farjeon, was a successful novelist, one of his brothers was a composer, another a drama critic and director, and his sister, Eleanor Farjeon, wrote poems, including the words for the hymn, Morning Has Broken.

Although the plot of Thirteen Guests is far from straight forward, Farjeon plays fair with the reader and a credible solution to the mystery is unveiled at the end.

I enjoyed Thirteen Guests and would recommend it to other fans of country house mysteries.

So far, not all of Farjeon’s many novels have been republished, but I hope more of this author’s forgotten work will be rescued and made available for contemporary crime fiction fans to relish.  

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Death Is No Sportsman by Cyril Hare

A fishing story with no red herrings to confuse the trail

Death Is No Sportsman was
first published in 1938

The sport of fly fishing is at the centre of the mystery in Death Is No Sportsman, Cyril Hare’s second detective novel.

A group of men, who are all devoted to the pastime, gather at a small hotel, looking forward to spending a pleasant weekend on the river bank. Although the men are not friends, they try to get on amicably so they can continue to share the fishing rights they hold jointly to a small, but desirable stretch of the river Didder.

Behind their superficial courtesy towards each other, there are clearly tensions. Also, as regular guests at the hotel, they know the local people and are aware of the passions and rivalries going on below the surface in the small community.

All this is beautifully set up by Cyril Hare in the first few pages and it will come as no surprise to the reader when a body is discovered at the side of the river the following day.

The victim is the local squire, a man who was unpopular with both the fishermen and the villagers. It is quickly established that he has been shot in the head.

The corpse is discovered by a young man connected with the fishing syndicate, soon after his arrival at the inn. He is subsequently revealed to have deep feelings for the wife of the dead man, so the stage is expertly set by the author for a mystery involving interesting characters in an evocative setting.

Cyril Hare was, in fact, the pen name for Alfred Alexander Gordon Clark, who was born in 1900 in Mickleham in Surrey and went on to become a barrister and a judge.

The writer’s pseudonym was derived from a mixture of Hare Court, where he was in Chambers as a barrister in London, and Cyril Mansions, where he lived.

Hare was a practising barrister and
judge as well as a writer

Hare wrote many short stories for the London Evening Standard and some radio and stage plays and he was a keen member of the Detection Club along with Agatha Christie, Dorothy L Sayers and other famous crime writers.

After the war, Hare, as Clark, was appointed a county court judge in Surrey. He died in 1958, when he was at the peak of his career as a judge and at the height of his powers as a master of the whodunit.

In 1990, when the British Crime Writers’ Association published their list of The Top 100 Crime Novels of All Time, they awarded the 85th place to Hare’s 1942 novel, Tragedy at Law, which is considered by many to be his best work.

In Death Is No Sportsman, the police quickly find the murder of the local squire too complex for them to solve and call in Scotland Yard. In the following chapter, we see Inspector Mallet, ‘a very tall, very broad man, with a mild red face set off with an unexpectedly ferocious-looking waxed moustache,’ descending from the train ready to take over. He investigates with the thoroughness the reader expects of him, but the local police find his attention to detail mildly irritating.

I found Death Is No Sportsman to be an intriguing mystery that always plays fair with the reader. It was so well written that I enjoyed being guided along by Hare in the direction of the inevitable and satisfying scene at the end. The suspects have all gathered in a room at the inn next to the river where Mallet explains everything and the identity of the murderer is revealed.

Death Is No Sportsman was first published in 1938. 

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The Big Four by Agatha Christie

Poirot novel may prove a test for even his most dedicated fans

The Big Four was the
seventh Poirot novel

Rereading all Agatha Christie’s detective novels in chronological order is enabling me to enjoy her best work once again and to discover novels that I have somehow managed to overlook over the years.

I was intrigued by her seventh novel,The Big Four, which was published in 1927, because, although it features Poirot and Hastings, it is a far cry from the mystery with a country house setting that readers have come to know and love.

Poirot enters the world of international espionage in this story and races from country to country, trying to track down four master criminals who are working together to achieve world domination.

The first is Abe Ryland, an American businessman, the second is Madame Olivier, a French scientist, and the third is a sinister Chinaman called Li Chang Yen.

The fourth, who Poirot does not unmask until close to the end of the book, is able to evade him because he turns out to be a master of disguise.

The Big Four was not my favourite Poirot novel, as it was more of an espionage thriller, with Poirot chosen to be the unlikely hero whose mission is to save the world.

Delving into the background of the book, I found that it originated from 12 separate short stories that had already been published. Apparently, Agatha, who was at a low point in her life, needed to come up with a new book for her publisher. With the help of her brother-in-law, she gathered up some of her old stories, reworked them, and submitted them as a new novel to her publisher. 

But she was never satisfied with The Big Four and used to refer to it herself as ‘that rotten book.’ It came after her sixth novel, The Murder of Roger Ackroyd, which had been a spectacular success and was a tough act to follow.

The Big Four was adapted for television in 2013 starring David Suchet as Poirot. It is worth persevering with, if only to be able to say in the future that you have read every one of Agatha Christie’s 66 detective novels.

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Death in A White Tie by Ngaio Marsh

Author does not allow the romance to dominate the story

Death in a White Tie is
the seventh Alleyn novel

Detective Chief Inspector Roderick Alleyn and artist Agatha Troy meet up again in Death in a White Tie, the seventh novel in the series of Inspector Alleyn mysteries by Ngaio Marsh, which was published in 1938.

Although Alleyn and Troy’s romance makes progress during the novel, the focus of the story is on Alleyn’s investigation into the murder of a popular member of the nobility, who has been helping Scotland Yard to uncover the identity of a blackmailer who has been preying on wealthy women.

Alleyn feels responsible for Lord (Bunchy) Gospell’s death and vows to catch and punish the killer himself because Bunchy, who is murdered in a taxi on his way home from a ball, has been gathering information for the police.

Bunchy was also a close friend of Troy’s, and therefore the detective and the painter find themselves once again thrown together during a murder investigation.

Ngaio, who was a native New Zealander, and spent some of her time living in England, provides a vivid picture for the reader of the London season as it was during the 1930s. She shows the debutantes and chaperones doing the rounds of the cocktail parties, dinners, and balls, based on her own observations of society while she was staying in London.

But the hunt for Bunchy’s killer is kept centre stage during the novel and the police investigation is interesting to follow. Alleyn has friends and relatives at many of the social occasions featured in the story and so events can unfold naturally. In the earlier novels, when Alleyn was an outsider called in to investigate in an unknown environment, he had to conduct a series of interviews to establish the facts.

Patrick Malahide and Belinda Lang played 
Alleyn and Troy in the TV adaptation

Ngaio does not allow Alleyn to reveal who killed his friend until near the end of the novel, when there is a dramatic showdown scene in the Assistant Commissioner’s office at Scotland Yard.

Death in a White Tie was adapted for television in 1993 when it was an episode in the BBC’s Inspector Alleyn Mysteries series. The role of Alleyn was played by the actor Patrick Malahyde.

I enjoyed Death in a White Tie and thought it was even better than the previous six novels in the series.

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Death of a Busybody by George Bellairs

A murky tale of murder with an eccentric cast of suspects 

Death of a Busybody is the third
Inspector Littlejohn mystery

The writer of Death of a Busybody, George Bellairs, was bank manager Harold Blundell  by day. 

Blundell must have been a keen student of human nature while working at his bank in Manchester because many of the characters he depicts in this story display unusual quirks and idiosyncrasies.

The busybody referred to in the title of the book is Miss Ethel Tither, who has made herself deeply unpopular in the quaint English village of Hilary Magna, by going out of her way to snoop on people and interfere with their lives.

When Miss Tither is found floating in the vicar’s cesspool, having been bludgeoned by an attacker before being left to drown in the drainage water, the local police quickly feel they are out of their depth and call in Scotland Yard.

Inspector Thomas Littlejohn, the author’s series detective, arrives by train and finds there is no shortage of suspects in the case. He must piece together the clues quickly in order to find out who was responsible for the murder of the busybody and restore order and calm in the village.

This is the third Littlejohn novel by George Bellairs, who was born Harold Blundell in 1902 near Rochdale in Lancashire. He wrote more than 50 novels, most of them featuring Littlejohn, starting with Littlejohn on Leave, published in 1941 and finishing with An Old Man Dies, published just before his own death in 1982.

Death of a Busybody was published in 1942. While he was writing it, Bellairs was working in a bank during the day and acting as an air raid warden at night, having been exempted from military service because he was blind in one eye. He had discovered that writing a detective novel helped to pass the time during the blackout.

Bellairs was bank manager
Harold Blundell in his day job

Bellairs wrote amusing stories that gave his readers welcome light relief during the war years and in the difficult decades that followed. For example, in Death of a Busybody, one of the detectives assisting Littlejohn goes to interview a retired accountant whose hobby is bird watching and who writes about his ornithological studies. The two becomes friends and the detective also becomes a bird enthusiast. At the end of the novel, it is revealed that they have subsequently published a joint treatise about birds and have presented a copy to Inspector Littlejohn. This is an example of the author’s mischievous sense of humour revealing itself in what is essentially a classic mystery novel.

Another delightful aspect of the novel is the way Bellairs depicts rural life at the beginning of the 1940s. He reveals some of the eccentricities of the local population with great humour, in a similar way to Gladys Mitchell in her Mrs Bradley mystery, The Devil at Saxon Wall, which was published in 1935.

Although his books were also published in the US and translated into other languages, Bellairs regarded crime writing as a hobby and he continued to write for pleasure rather than profit. After his death, his books became largely forgotten by the wider public, which was a great pity

First editions in dust jackets of early books by Bellairs are now quite rare and therefore collectable and fetch high prices. But now some of his books are available to new readers thanks to the British Library Crime Classics series, enabling 21st century detective story fans to enjoy his mysteries and find pleasure once again in his gentle humour.

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