Whose Body?

Dorothy’s dazzling debut detective novel

Having read the first crime novel by Agatha Christie, The Mysterious Affair at Styles, published in 1920, and the first by Margery Allingham, The Crime at Black Dudley, published in 1929, I thought it was only fair to turn my attention to the first novel by Dorothy L. Sayers, the third Englishwoman who was dubbed a Queen of Crime.

Dorothy began writing her first crime novel, Whose Body? in 1920, at the beginning of what has been called the Golden Age of detective fiction, which lasted from 1920 until the start of World War II. 

A 2016 copy of the 1923 novel.

The book was published in 1923 and introduced her most famous character, the gifted amateur sleuth Lord Peter Wimsey.

I am a big fan of Dorothy L Sayers and I have read and enjoyed most of her Lord Peter Wimsey novels and short stories. Or, at least I thought I had. But reading her novels purely for pleasure many years ago meant that I had not read them in any particular order and therefore I had somehow missed out on Whose Body?, her first novel.

Used to the Wimsey of the later novels, I found him a bit irritating to begin with, his dialogue making him sound more like Bertie Wooster than the highly intelligent and perceptive amateur sleuth he was to become. However, as the book progresses, he is gradually revealed to be a kind and sensitive person, who has developed an interest in criminal investigation as a hobby, but is still suffering from the trauma of his experiences during the First World War. He experiences flashbacks and hears the terrifying sound of the guns when he is placed under a lot of pressure.

It is his mother, the Dowager Duchess of Denver, who presents him with his first case. Mr Thipps, the architect working on her local church, has just discovered the corpse of a man, completely naked apart from a pair of gold pince-nez, lying in the bath at his Battersea flat.

Wimsey gets round there before the corpse is taken away and, much to the irritation of the police officer in charge of the case, he manages to assess the crime scene for himself.

Thipps is completely shocked by the discovery and is then arrested for the murder of the man, so Wimsey sets out to try to find out who the naked corpse was and who put him in the bath of Mr Thipps, wearing only a handsome pair of gold pince-nez.

By the time I got to the end of the novel I was once again in awe of Dorothy’s writing, her brilliant plotting, her clever use of dialogue to present facts and the skilful way she shows Wimsey unravelling the mystery for the reader.

I was also struck by the differences between Dorothy’s debut novel and the first novels of Agatha Christie and Margery Allingham.

Agatha used a country house setting for her murder, with a closed circle of suspects, and the clues involved alibis, overheard conversations and dressing up in disguise.

Dorothy L Sayers created
Lord Peter Wimsey

Margery also used a country house, but her first crime novel was less of a murder mystery with a crime to be solved, but more of a suspense novel, with a criminal gang taking over the country house after an old man is found dead, with the reader left wondering whether the good guys will triumph over the bad guys by the end of the book

Dorothy sets her story in London, with many of the scenes taking place in Wimsey’s Piccadilly flat.

Wimsey, helped by his manservant, Bunter, uses forensic techniques such as finger printing and examining minute pieces of evidence through a magnifying glass, before carefully arriving at his conclusions.

The novel does not involve a closed circle of suspects as the action takes place in various people’s homes, in a hospital, a workhouse, and also involves a trip to Salisbury. When Wimsey finally solves the puzzle he is overcome with revulsion about what will happen to the murderer, revealing another intriguing aspect of his character.

Whose Body? was acclaimed as a stunning first novel by reviewers and Dorothy was described as a new star in the firmament. The only criticism was that she made Lord Peter seem too fatuous, but she soon toned this down.

Sayers herself said of her creation of Wimsey: ‘At the time I was particularly hard up and it gave me pleasure to spend his fortune for him. When I was dissatisfied with my single, unfurnished room I took a luxurious flat for him in Piccadilly… I can heartily recommend this inexpensive way of furnishing to all who are discontented with their incomes.’

Whose Body? is available in a variety of formats from Amazon.

Agatha Christie’s amazing legacy

Remembering Agatha’s work on the anniversary of her death

Agatha Christie, the best selling novelist of all time, died 45 years ago today at Winterbrook in Oxfordshire.

She left a legacy of 66 detective novels, 14 short story collections, as well as numerous romances, plays and volumes of poetry, which together have sold more than two billion copies.

The Pocket Essential Agatha Christie gives
fascinating facts about her work

Agatha was 85 years old when she died and she had been a published author for 56 years. Her last novel, Sleeping Murder, featuring Miss Marple, was published in 1976, after her death.

She was such a popular and successful novelist that 45 years later her novels are still being purchased and borrowed from libraries and new film and television adaptations of the stories are constantly being made.

The Guinness World Records has listed Agatha as the best selling fiction writer of all time.

Her fictional detectives, Hercule Poirot and Miss Marple, are familiar to people even if they have never read a detective novel.

But Agatha was unsuccessful to begin with and suffered six consecutive rejections. If she’d given up at that point the world wouldn’t have ever had the huge body of work that has entertained so many millions of people over the years.

The turning point came for Agatha when her novel, The Mysterious Affair at Styles, was published in 1920, when she was 30 years of age, and she never looked back.

The lesson to be learned by other writers from Agatha’s life and career is that they should not give up. Success might come eventually, but only if you keep writing.

Just over a year before Agatha died she was asked by an interviewer what she wanted to be remembered for. She replied: ‘Well, I would like it to be said that I was a good writer of detective and thriller stories.’ I think this has been said many times, so she would have been satisfied.

Curtain, Poirot’s last case, which she had written during the Second World War, was published in September 1975 just a few months before her death.

Agatha died on 12 January 1976 and was buried four days later after a service at St Mary’s Church in the village of Cholsey in Oxfordshire.

The inscription on her tombstone is a quotation from Edmund Spencer’s The Faerie Queen:

‘Sleepe after toyle, port after stormie seas, Ease after war, death after life, does greatly please.’

The Pocket Essential Agatha Christie by Mark Campbell is packed with facts and information about Agatha Christie’s life and body of work that may help to inspire up and coming crime writers.

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The Crime at Black Dudley

Margery Allingham introduces her series detective Albert Campion

Fans of classic crime fiction still enjoy reading the work of authors from the Golden Age, who were writing between 1920 and the beginning of the Second World War.

A measure of the popularity of this genre is the amount of TV and film versions of the books that are still being made.

When people talk about the Queens of Crime from that era, the names Agatha Christie and Dorothy L Sayers will immediately spring to mind, with the New Zealand author Ngaio Marsh not too far behind.

You can usually find books by these three talented ladies on the shelves in the crime sections of most public libraries.

Margery Allingham's first
crime novel

But you might struggle to find any of the novels of Margery Allingham, the English writer who was the fourth member of the elite Queens of Crime club.

Margery Allingham was born in 1904 in London and began writing at the age of eight when she had a story published in a magazine.

Her first novel was published when she was 19, but she did not make her breakthrough as a crime writer until her novel The Crime at Black Dudley was published in 1929. This introduced her series detective, the gentleman sleuth Albert Campion, even though he appeared only as a minor character in her first book.

He was at first thought to be a parody of Dorothy L Sayers’ hero, Lord Peter Wimsey, but Campion matured as the series of books progressed showing there was a lot more to him than you see at first glance and he became increasingly popular with readers.

Vintage Books, part of the Penguin Random House Group, have now republished all Margery’s novels featuring her series detective Albert Campion, making it likely that some of them will eventually be stocked by public libraries.

While Agatha wrote an amazing 66 detective novels, Ngaio comes in second with 32, and Margery is third with 18, finishing ahead of Dorothy, who wrote a total of 16 crime novels during her career.

I had never read any of Margery’s books and so, because I like to begin at the beginning, I started with The Crime at Black Dudley.

A group of young people have been invited to a country house party for the weekend, which is being held in a remote mansion in Suffolk. The story is told from the point of view of a young doctor, George Abbershaw, whose book on pathology had made him a minor celebrity. He is a friend of the host, a distinguished scholar named Wyatt Petrie.

Margery Allingham wrote 18
detective novels

When the host’s uncle is murdered, the young people find themselves being held hostage by a small number of armed men, who claim that an important item has been taken from the body of the victim and that the guests must remain at the house until it is found and handed in.

It is a novel full of suspense and there is violence, fighting and many shots are fired. My first thoughts were that it was unlike the Poirot and Miss Marple novels of Agatha Christie or the Lord Peter Wimsey novels by Dorothy L Sayers. The atmosphere of action and danger was more like that of the The Secret Adversary by Agatha Christie, which was published seven years earlier.

George Abbershaw eventually solves the crime with the help of the other guests, including a strange young man named Albert Campion, who no one seems to know anything about.

It is a satisfying conclusion, and although the society and way of life Margery describes might seem rather dated now, it has left me wanting to read more. Next on my list is Mystery Mile by Margery Allingham, first published in 1930.

Margery died at the age of 62 of breast cancer and her final novel, Cargo of Eagles, was finished by her husband Philip Youngman Carter and published in 1968, two years after her death.

The Crime at Black Dudley by Margery Allingham is available in a variety of formats from Amazon.

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A Merry Christmas from the shed library

Did the book inspire the shed, or did the shed suggest the book?

Earlier this year I converted our old, wooden garden shed into a library to house the overflow of books from our house, and the many books we have been storing that had belonged to my parents and my husband’s parents.

Inside the Shed Library

Simultaneously, I was working on my third novel, The Body Parts in the Library, a cosy crime story about Sallie and Jo, a couple of women who have been made redundant from their jobs in a village library and replaced with a group of volunteers. 

When a silly prank is played on one of the volunteers, Sallie and Jo are suspected of being behind it and find themselves shunned by the rest of the village.

They set out to find who was responsible for the prank and the other bizarre events that happen subsequently, to try to prove their innocence.

But after a grim discovery is made in the library, they have to become amateur detectives, to try to identify the culprit so that village life can return to normal.

At the same time, they decide to open a library in Jo’s garden shed to raise money for charity and allow the villagers to borrow books from their own extensive collections..

The Body Parts in the Library was published in September this year and is now in stock at three Leicestershire libraries as well as being for sale on Amazon as either a Kindle e-book or paperback.

After putting up our Christmas decorations this year, we used up the left over tinsel to decorate the pictures on the walls of our shed library. And, after our Christmas Day walk, we took a bottle of wine and some nibbles down to the shed library to kick off our Christmas celebrations, because all the pubs in the village were closed because of Covid 19.

As I looked round at the shelves full of books, which had finally come out of the boxes we had been storing them in for so many years, I wondered if it was a case of art imitating life, or life imitating art.

Whatever the answer, I am pleased that I have managed to finish writing The Body Parts in the Library, after many years of working on it, and that I have finally been able to unpack all the books that have been hidden away in boxes for so long.

So as New Year’s Eve approaches, I can reflect on the two good things that have come out of 2020 for me.

It has been a horrific year for the whole world. So let’s hope for a better 2021 for everyone, everywhere. 

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The Secret Adversary

Agatha’s second novel keeps the reader in constant suspense

Considering Agatha Christie’s detective, Hercule Poirot, became so popular and that her first published crime novel, The Mysterious Affair at Styles was such a success, it is surprising her second novel didn’t feature the Belgian refugee again.

My 1981 paperback copy of
 The Secret Adversary

But Agatha must have decided she wanted to try something different with her next book, The Secret Adversary. Published in January 1922, it introduces the Young Adventurers, Tommy and Tuppence.

I read The Secret Adversary many years ago and it hadn’t made much of an impression on me, but having decided to read all of Agatha’s crime novels in chronological order, I gave it a second chance.

The book starts with a prologue set in 1915 as the Lusitania is sinking after being struck by two torpedoes. A man entrusts a young American woman with an important package as she gets into a lifeboat, saying she should receive instructions about what to do with it when she is safely ashore, but if he goes down with the ship, she must take it straight to the American Embassy.

Then the action fast forwards to London, a few years later, as old friends Tommy and Tuppence encounter each other at the exit from a tube station near Piccadilly Circus.

The First World War is over and they are both back from the front, hard up and seeking work.

Tuppence suggests they join forces to become adventurers for hire, willing to do anything and go anywhere to earn money.

It is all light hearted fun as they make plans, enjoying tea, buns and buttered toast in Lyons, calling each other ‘old thing’ and ‘old bean’.

I was expecting the rest of the book to be fairly lightweight and to seem dated in comparison with contemporary thrillers and adventure novels.

But I was pleasantly surprised. Tommy and Tuppence are quickly hired to do a job that leads both of them into dangerous situations. It is written from both of their points of view, so that the reader is told everything.

There are carefully laid clues, twists and turns, and plenty of suspense. It is well written and difficult to put down, with Agatha keeping the reader guessing right to the end.

Reviews were generally positive about The Secret Adversary when it first came out, priced at seven shillings and sixpence.

On 26 January 1922 the Times Literary Supplement described The Secret Adversary as ‘a whirl of thrilling adventures’ and praised the fact that the identity of the arch-criminal, the elusive ‘Mr Brown’ is cleverly concealed to the very end.

Other reviewers agreed it was a success and called it ‘amazingly clever’ because Agatha managed to keep the identity of the master criminal a secret until the last few pages.

It was a clear departure for Agatha. Instead of writing a ‘whodunit’ she wrote a novel that keeps the reader in constant suspense, wondering if the good guys will triumph.

The Secret Adversary was made into a film in Germany in 1929 and was adapted for television in 1983 and again in 2014.

Nearly 100 years after it was published, Agatha’s second crime novel is still well worth reading.

Over the years, The Secret Adversary has been reprinted many times, with many different front covers.

There are plenty of new and second hand copies available on Amazon.

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Remembering crime writer P D James

How the ‘new Queen of Crime’ found the ideas for her novels

P D James was seen by some as
'the New Queen of Crime'

When crime writer P D James died on this day in 2014, it was a sad occasion for all who love the traditional, English detective story.

Baroness James, who began writing in the 1950s, was a link with the golden age of crime writing and has gone on record as saying one of her own favourite writers was Dorothy L Sayers.

And after the death of the acknowledged Queen of Crime, Agatha Christie, in 1976, P D James was sometimes referred to by the media as ‘the New Queen of Crime’.

She will be remembered particularly for her 14 Adam Dalgliesh novels, many of which have been filmed for television.

Living until the age of 94 enabled Baroness James to enjoy her success and to go on set to watch the films of her books being made, meeting actor Roy Marsden, who was the first to play the part of Dalgliesh, on many occasions.

As a young journalist I was lucky enough to meet P D James at the Minsmere nature reserve in East Anglia during the filming of Unnatural Causes in 1992.

She was kind enough to give me some interview time and I was able to ask her some questions about her writing methods which gave me the basis for a newspaper feature.

I interviewed P D James in the caravan she had been allotted while out on location alongside two male journalists who both seemed far more confident than myself.

But the kindly mother and grandmother, who was 72 at the time, soon put me at ease. And when it became obvious that neither of my fellow hacks had actually read any of her books and were interested mainly in the filming, I plucked up the courage to ask her about her relationship with her main character, a widower who is a poet as a well as a policeman.

The beach at Dunwich, where an empty
boat sparked the idea for Unnatural Causes

She admitted that there was a lot of herself in the character of Dalgliesh as they shared a love of poetry, architecture, bird watching and the terrain of East Anglia.

She said: “I think if you are going to have a character who goes on for a series of books you do tend to give them the same interests as you have.”

Another characteristic she said they shared was taking pleasure in being alone. “I do need to be on my own when I’m writing. I need the house to be empty. It’s very strange.”

Although by then she had become a Baroness and was sitting in the House of Lords she said she made sure that when she was working on a book she did not let anything stop her writing every day.

“I very much enjoy writing detective fiction. I love the construction, the clue making, the characterisation. I love everything about it.”

I asked if she had decided to keep Dalgliesh single because it made him a more interesting character.  He had met and fallen for a young woman in her first novel Cover her Face (1962) but the relationship hit a stumbling block when he had to arrest her mother for murder.

Baroness James seemed amused but did not really answer the question. She referred to Dorothy L Sayers, who was often thought to be in love with her fictional creation Lord Peter Wimsey, but eventually married him off to a woman mystery writer, Harriet Vane.

“When she married him off it was as though she had done with him and she wrote very little about him afterwards,” P D James said.

She then revealed that she was intending to write a new Dalgliesh novel and in doing so, she gave me some valuable advice.

“I think I have the germ of an idea for another Dalgliesh book at the back of my mind now, inspired by a place. My books nearly always are inspired by a place or a setting.”

She said the opening scene of Unnatural Causes had been originally inspired by a particular part of East Anglia. “I was standing on the beach at Dunwich and I had this strong idea of a boat drifting ashore containing a corpse with the hands cut off at the wrist.”

She actually went on to write another six Adam Dalgliesh novels after my meeting with her, the last one being The Private Patient, published in 2008.

More than 20 years after our conversation, I finally started crime writing myself and took her advice by allowing a mysterious and magical setting, the upper town of Bergamo, a walled city in northern Italy, to be the inspiration for my first novel Death in the High City. 

Cover her Face and Unnatural Causes are both available from Amazon.

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Write it down!

The value of keeping an ideas notebook

I am often asked where I get my ideas from by people in the audience when I give talks about my books.

It is a simple enough question, but the simple answer isn’t very helpful to others, so I usually try to expand on it.

I get my ideas from everywhere. I get them from stories and anecdotes people tell me, things I read in the newspapers, court cases that make the news, people I see when I am out and about, conversations I overhear, the list is endless.

Agatha Christie's ideas notebooks

But to make these ideas work and become the basis for a short story or an entire novel, you have to do three things.

First, you have to be open to ideas. You have to train yourself to be curious, to observe people and to make a conscious effort to think about what you hear and see. Afterwards you have to mull it over and consider how it could form the basis of a plot.

Second, you have to be creative. You can’t just take an idea and make it the plot for your book or meet an interesting person and put them straight in as a character. You have to play around with the ideas and think about how you can adapt them to fit your story, perhaps turning them inside out or adding a new twist. And with every idea you constantly have to ask yourself, what if?

Most of my characters are based on lots of different people. For example, my heroine, Sallie Parker, in The Body Parts in the Library has personality traits from many of my friends.

Third, you have to make a conscious effort to remember the ideas until you get the opportunity to write them down. You should write your ideas in a notebook you keep specifically for that purpose rather than on odd scraps of paper you could lose.

I often have a good idea and don’t get round to writing it down straight away and as a result forget what the idea was.

Also, I am not the most organised of people and have even been known to lose my notebook for a few days, so I like to have several on the go.

I don’t have very neat handwriting, so I have to make a conscious effort to write the idea down clearly so I can read it back later.

When I start plotting my novel I read through my notebooks and think about how I can use the ideas, providing I can read what I have written! Then I start another notebook specifically for my new novel, and put all the ideas in that seem to suit the story and hopefully the beginnings of a plot emerges from them.

I have always found it useful to read about the working methods of other writers in my particular genre to see if I can pick up any tips. There are lots of excellent books about the writing techniques of famous writers, which can’t fail to inspire other budding writers.

John Curran's book
 about Agatha's notebooks

I was fascinated recently to come across a book about Agatha Christie’s method of noting down her ideas and I was heartened to find she was nearly as disorganised as me!

Agatha Christie’s Secret Notebooks: Fifty years of Mysteries in the Making, offers readers the chance to see the rough, initial notes Agatha made for her novels in a large and varied stack of note books. You can read the first ideas she scribbled down that were to form the basis for some of her most famous and acclaimed stories.

It is inspiring to be able to see how even half formed ideas expressed in just a few cryptic words could lead to a best selling novel being produced that would be printed and reprinted time and time again and made into several different film and TV adaptations.

The author of Agatha Christie’s Secret Notebooks, John Curran, was lucky enough to be the first Christie fan to be granted access to her work notebooks.

When he was invited to visit her former home, he stumbled across a cardboard box full of notebooks kept on a shelf in a long, narrow room where all the letters, contracts and typescripts relevant to Agatha’s work were kept.

Agatha wrote her ideas for novels
 in a series of notebooks

John recalls the moment he discovered the notebooks: ‘I lifted the box on to the floor, knelt down and removed the top exercise book. It had a red cover and a tiny white label with the number 31. I opened it and the first words that I read were “The Body in the Library – people – Mavis Carr- Laurette King.” I turned over pages at random. “Death on the Nile- points to be brought in… The Hollow – Inspector comes to Sir Henry…”

‘All these tantalising headings were in just one notebook and there were over 70 more still stacked demurely in their unprepossessing box.’

John knew then how he would spend the rest of the weekend and, as it transpired, the next four year of his life.

Perhaps his most dramatic discovery was a notebook containing two previously unpublished short stories featuring Hercule Poirot, which he later included at the end of his book about the secret notebooks.

Agatha Christie’s Secret Notebooks by John Curran is well worth reading to see how the Queen of Crime worked and how she noted down her ideas.

There are new and used copies available on Amazon.

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On the shelf

The Body Parts in the Library arrives at a library!

Partners in crime

There are many significant milestones when you write a novel, such as completing the first draft, sending the revised final version out for publication and receiving a printed copy to hold in your hands for the first time.

But you can’t know the names of everyone who buys your book and find out what they think about it having read it. Once it’s out there you have lost control over it to some extent, a bit like when your child starts school for the first time. 

So it was a lovely moment for me today to see my latest novel, The Body Parts in the Library, on the shelf in a library for the first time. And it was particularly special for me because it was the library where I have a part-time job.

The Body Parts in the Library is a cosy crime novel about strange things happening in a village library being run by volunteers after the long-serving staff have been made redundant. Published in September this year, it introduces a new detective duo, the Library Ladies.

I have always been a big supporter of libraries and am now a champion of the role of the Library Assistant, which I hope comes across in the novel.

New in stock

I took a photograph of The Body Parts in the Library on the shelf next to another of my books, Death in the High City, which was published in 2014.

However, it didn’t stay on the shelf for long. We are operating a Click and Collect service at the moment and when we received a request for ten crime novels, we couldn’t resist popping it into the bag.

The Body Parts in the Library is now in stock at Shepshed, Loughborough and Ashby libraries in Leicestershire. It is also available for sale on Amazon as a Kindle e-book or a paperback.

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First novel published by Agatha Christie is 100 years old

The Mysterious Affair at Styles has now been entertaining readers for a century

My copy of The Mysterious Affair at 
Styles was published in 1954

After suffering six successive rejections, Agatha Christie’s luck finally turned when her detective novel, The Mysterious Affair at Styles, was published in October 1920.

The story is set in England in the middle of the First World War and introduces what was to become Agatha’s series detective, the Belgian policeman, Hercule Poirot.

The novel was first published in the United States by John Lane and then in the UK in January 1921 by The Bodley Head, Lane’s British publishing company.

Poirot has come to England as a refugee and is living in a village in Essex, thanks to the kindness of a rich woman, Emily Inglethorp, who lives at the local manor house, Styles Court. The novel also introduces Poirot’s sidekick, Arthur Hastings, who has been invalided home from the Front and is invited by Mrs Inglethorp’s stepson, John Cavendish, to stay at Styles.

When Mrs Inglethorp is killed, Poirot says he owes her a debt of gratitude for helping him to have a new life in England and vows to use all his detective skills to solve the mystery of her death. Hastings has met him before and happily introduces him to the members of the family living at Styles.

As an Agatha Christie fan, I read The Mysterious Affair at Styles many years ago, along with some of her other novels, but I read them all in no particular order.

When I realised The Mysterious Affair at Styles had now celebrated its centenary I decided to re-read it because it was Agatha’s first published book and I wanted to see what I thought of it now.

The first thing that struck me was that she lets Hastings tell the story in the manner of Dr Watson in the Sherlock Holmes stories. It works well and is a device that more authors might consider trying. It helps her mislead the reader because Hastings fails to understand the hints Poirot gives him and at times even draws the wrong conclusion from some of the things Poirot says to him.

Agatha Christie as a
young woman

My copy of The Mysterious Affair at Styles was published by Pan Books Ltd in 1954 by arrangement with John Lane of The Bodley Head Ltd.

I was intrigued by the fact that a plan of the first floor at Styles is inserted into the middle of the text on page 26 and a diagram of Mrs Inglethorp’s bedroom into the middle of page 38.

A rough drawing of a charred scrap of paper bearing the handwritten letters ‘ll and’  is inserted into the text of page 42 and a picture of words scrawled on a crumpled envelope into the text of page 53.

I noticed some repetitions in the book, for example Hastings twice observes that the maid Dorcas is a fine example of a good, old-fashioned servant, but then you have to remember it was Agatha’s first published novel.

Dorcas describes how the young people in the house enjoy having dressing-up evenings and putting on costumes from the dressing-up box in the attic and using techniques to darken their skin so they can dress up as ‘foreigners.’

Agatha shows how people thought about other nationalities at that time, in the middle of a terrible war, when Dorcas says of Poirot:

‘A very nice gentleman he is sir. And quite a different class from them two detectives from London, what goes prying about, and asking questions. I don’t hold with foreigners as a rule, but from what the newspapers says I make out as how these brave Belgies isn’t the ordinary run of foreigners and certainly he’s a most polite spoken gentleman.’

According to the blurb on the inside flap of the dust jacket of the first edition, The Mysterious Affair at Styles came about because of a bet Agatha had agreed with her sister, Madge, that ‘she could not compose a detective novel in which the reader would not be able to spot the murderer, although having access to the same clues as the detective.’

The text of the book included some 
helpful illustrations for readers

It was acknowledged at the time that Agatha won the bet and that the plot was clever and the clues well placed. It came down to a shattered coffee cup, an old envelope, a fragment of fabric and a splash of candle grease, but it was enough for Hercule Poirot to work out who was the murderer.

It launched Agatha’s writing career and she subsequently named her own house Styles. Hercule Poirot went on to become one of the most famous characters in detective fiction and featured in 47 of her novels and collections of short stories. When Agatha told the story of his final case in Curtain, she set the novel at Styles again.

At number six, The Mysterious Affair at Styles was one of the first ten books published by Penguin Books when it started up in 1935. The novel was later adapted for television, radio and the theatre.

The Mysterious Affair at Styles marked the start of a brilliant career for Agatha, who wrote 66 detective novels in total. She remains to this day the best-selling writer of all time.

While new writers can’t hope to surpass her achievement, or even equal it, her success can at least prove inspirational.

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Don’t mention the V word

Have library assistants become an endangered species?

Libraries have been under pressure for several
years because of economic cuts

I have always been a huge supporter of libraries, having been taken to one from being a small child, and I have enjoyed borrowing, reading and returning books from many different libraries over the years.

For the last seven years I have worked as a part-time library assistant in a village library and this has turned me into an enthusiastic champion of the role of the library assistant.

I have seen at close quarters the wonderful job done by many of my colleagues when providing service to their customers and I have been amazed by their dedication and hard work.

But in the last few years, economic cuts have led to a lot of library assistants being made redundant and replaced by unpaid volunteers. Following on from that, other library assistants have had their hours cut because the introduction of so-called ‘smart technology’ has enabled customers to use the library when there are no staff present and to serve themselves.

But, as one of my customers once put it so eloquently: ‘A library without library assistants is just a room full of books.’

This sorry situation has provided the inspiration for my latest crime novel, The Body Parts in the Library, which tells the story of a village library that has been taken over by volunteers.

My latest novel was inspired by my 
experiences as a library assistant

The Body Parts in the Library is the first in what is planned to be a series of Library Ladies Mysteries, featuring detective duo Sallie Parker and Jo Pudsey, both library assistants who have recently been made redundant after many years of dedicated service and who have every reason to feel aggrieved.

A group of volunteers has taken over the running of their library and when one of them is the victim of a prank, the Library Ladies, as they are known locally, are immediately suspected and find themselves shunned by most of the village.

Determined to clear their names, they try to find out who was really responsible.

But after further bizarre incidents, the story takes a sinister turn as a shocking discovery is made in the library. The Library Ladies set out to conduct their own investigation to make sure the culprit is exposed so that life in the peaceful south Yorkshire village of Upper Mickle can return to normal.

The Body Parts in the Library was published in September 2020 and is available from Amazon as a paperback and as a Kindle e-book.

It should appeal to anyone who enjoys the 'cosy' crime fiction genre, or who happens to love libraries.

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New writers should take inspiration from Agatha Christie

Agatha Christie had her first novel
published when she was 30 years old

Imagine being the best-selling novelist of all time. Imagine being such a popular and successful novelist that more than 40 years after your death your books are still being borrowed from libraries and film and television adaptations of the stories are constantly being made.

Earlier this month it was the 130th anniversary of the birth of crime writer Agatha Christie, which prompted me to contemplate her amazing success.

To mark the occasion, I put together a display of her books in the crime section and large print crime section of the library where I work.

I had read that Guinness World Records list Agatha as the best-selling fiction writer of all time because her novels have sold more than two billion copies.

For writers just starting out, such as myself, this kind of success is mind blowing.

Agatha wrote a total of 66 detective novels and 14 short story collections. Her fictional detectives, Hercule Poirot and Miss Marple, are familiar to people even if they have never read a detective novel.

Agatha Christie's books remain hugely
popular with library users

But here’s a bit of information that should encourage new writers: Agatha was unsuccessful to begin with and suffered six consecutive rejections. If she’d given up at that point the world would never have had the huge body of work that has entertained so many millions of people over the years.

The turning point came for Agatha when her novel, The Mysterious Affair at Styles, was published in 1920, when she was 30 years of age. She never looked back.

Agatha’s final novel, Sleeping Murder, featuring Miss Marple, was published in 1976, the year of the novelist’s death.

The lesson to be learned by other writers from Agatha’s life and career is that they should not give up. Success might come, but only if you keep writing.

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How today’s writers can still learn from Anne Brontë

The Parsonage in Haworth, where the Brontë sisters
grew up, is now a museum celebrating their lives

I have always loved visiting the homes of famous writers in the hope that seeing where they lived and produced their work might somehow inspire me to become a better writer.

When I visited the Brontë Parsonage Museum at Haworth I was fascinated to see where Charlotte, Emily, Anne and their brother, Branwell, grew up and did some of their best writing.

But it was purely by chance that I came to visit Anne Brontë’s grave in Scarborough one summer.

I was in the seaside resort with my husband who was there for work. I used to spend the day sightseeing while he was covering a cricket match for a newspaper.

We were staying on the North Cliff near the Castle and close to the churchyard of St Mary’s where Anne Brontë is buried.

There were signs directing visitors to the churchyard and it seemed almost discourteous not to go and pay my respects. The grave was easy to find close to the entrance and was marked by an additional stone, which had been recently added by the Brontë Society, correcting the author’s age at the time of her death.

Anne Brontë was just 29 when she died

Anne Brontë's grave in the churchyard
of St Mary's Church in Scarborough

Anne Brontë was 29 years of age when she passed away in Scarborough, not 28 as the original headstone had maintained for more than 160 years. As someone who is inclined to put things off in life, I found it sobering to reflect on how much Anne had managed to achieve in such a short time in the world. Ironically, considering she was a writer, Anne’s original headstone bore several errors. When Charlotte Brontë visited it three years after her sister’s death she had it refaced, but Anne’s age was still not corrected. The error remained on the headstone to mislead the world until 2013.

Anne was the youngest child in her family, who was born to a clergyman and his wife on 17 January 1820. They moved to Haworth soon after her birth but her mother died before her second birthday.

Her eldest sisters, Maria and Elizabeth died at the ages of 11 and 10 respectively, after becoming ill at boarding school.

Charlotte and Emily were removed from the school and along with their brother, Branwell, the three girls were educated at home by their father and aunt.

Sisters drew inspiration from surroundings

There was little money and the sisters had to do their share of the domestic chores but they had access to their father’s books and periodicals, which they read avidly. There were few toys or treats, but a gift from their father to Branwell of a set of miniature soldiers led to the children creating a rich, imaginary world. Anne would have been six years old when she helped her brother and sisters write plays and stories about the lives of the soldiers. These were recorded in tiny, hand-written books that they produced for the soldiers to ‘read’.

When Charlotte went away to school again, Emily and Anne created another fantasy world of their own and continued to invent characters and stories for it until well into adulthood.

Nowadays we live far more comfortably and have many possessions and sources of entertainment, but these can also serve as distractions and stop us achieving things. Having so little in life made the Brontë children become inventive and they also drew inspiration from the moorland scenery and the architecture of the buildings near where they lived.

Governess work was sole career option

Charlottë Bronte found work
as a teacher

Charlotte eventually found work as a teacher and took first Emily, and then Anne, to the school with her as pupils to improve their education. This was because the only career option available to the sisters was working as governesses if they did not get married.

They all eventually found suitable situations with families, but in her first post Anne found the children particularly hard to control. She was eventually dismissed, which was traumatic for her, but she learned from her bad experiences and was able to reproduce them in her first novel, Agnes Grey.

Her second post as a governess proved more successful and the family took her on their annual holiday to Scarborough each year. She fell in love with the seaside resort, which inspired many of the locations in her novels.

When the Brontë sisters’ aunt died, they used some of the money they inherited from her to have their poems published under the pseudonyms, Currer, Ellis and Acton Bell.

Only two copies of the volume of poetry were ever sold, although Anne later succeeded in having some of her poems published in magazines.

Charlotte's first novel was rejected

But the sisters were not deterred and turned to novel writing instead. Amazingly, Charlotte’s first novel, the Professor, was rejected by every publisher she sent it to. She never let this put her off and started on her second novel, Jane Eyre, immediately. This was eventually accepted for publication and became an instant success.

Emily’s novel, Wuthering Heights and Anne’s first book, Agnes Grey, were both accepted straight away. Charlotte criticised the terms they were offered as they each had to contribute £50, which was to be refunded when a sufficient number of copies had been sold. History has proved the investment to be worthwhile, so take heart, all modern-day self publishers

Although ‘lady readers’ were warned against Wuthering Heights and Anne’s second novel, The Tenant of Wildfell Hall, because of their depictions of wild characters and violent scenes, the books continued to sell well.

Anne is now believed to be the first ‘feminist’ author, but she never received the recognition she deserved during her lifetime.

Branwell died suddenly in 1848 at the age of 31 and then both Emily and Anne were found to be suffering from tuberculosis. Emily died three months after Branwell at the age of 30.

Aware she was dying, Anne decided to visit Scarborough one last time, hoping the sea air would help her. In May 1849, accompanied by Charlotte and a friend, she travelled to Scarborough, where she died four days later.

Odds always stacked against Anne Brontë

Anne Brontë was determined
to persevere with her writing

Charlotte decided to ‘lay the flower where it had fallen’ and buried Anne in a churchyard close to the sea.

Many people writing today may not be as talented or inventive as Anne Brontë, but if they are lucky enough to live long enough and prepared to work hard enough they at least have the chance to improve their skills. Ironically, we have easier lives than people in the 19th century, but perhaps this has made it harder for us to be disciplined or have the will to persevere with writing.

The odds were stacked against Anne Brontë as a writer from the moment she was born. As a woman she was considered to be a second class citizen and her writing was not taken seriously until she submitted it under a pseudonym. As the youngest in the family she was patronised by the other children and expected to be submissive.

But she was quietly determined and immensely self-disciplined and in her 29 years she managed to write two good novels and some powerful poetry.

In today’s climate of redundancy, women who have been pushed aside in the workplace and made to lose confidence should take heart from her and be inspired by her because if they are lucky to live long enough and prepared to work hard enough they may yet still achieve their ambitions.

It is claimed that Charlotte Brontë would not allow the reprinting of The Tenant of Wildfell Hall after her sister’s death and, lying in her cold grave in Scarborough, there was nothing Anne could do about it.

But like the error on her headstone, this was put right in time and Anne is now seen as not just a minor Brontë, but a major literary figure in her own right.

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